Directed by Nathan Fielder and Lance Oppenheim, the 2026 documentary You Can See Everything tracks disgraced Theranos founder Elizabeth Holmes during the final 34 days before she began her 11-year federal prison sentence for fraud. Filmed inside her San Diego home alongside her husband, Billy Evans, the first half of the 174-minute film acts as an intimate and tense portrait. Fielder inserts his signature absurdist, investigative style into the environment, staring down an unyielding Holmes as she and Evans attempt to reframe her legacy and deny the reality of her broken blood-testing technology.
In its second half, the documentary shifts away from a traditional true-crime structure into a surreal experiment on truth, performance, and media manipulation. With Holmes no longer accessible after reporting to prison, the narrative re-engages her story through unconventional meta-theatrical devices—including actress Amanda Seyfried reading prison transcripts and interacting directly with Billy Evans. Rather than offering easy moral conclusions or a simple retrospective, the movie blurs the line between documentary realism and fabricated artifice to question how public personas construct and survive their own delusions.
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